The Dialogues

Taking of terrible fury, kills the children to avenge itself of the husband. It is seen as one of more impressive the feminine figures of the universal dramaturgia. Already in the Comedy we have as example ' ' Lisstrata' ' of Aristfanes, on which we will elapse in the development of this work. 2 DEVELOPMENT Little knows on the life of the Aristfanes writer, born in Atenas for return of 450 B.C. It had a sophisticated education, therefore it lived in a period of intense cultural life, known as Century of Pricles. This period also coincided with the ecloso of the War of the Peloponeso, that had its end in 404 a.C, with the complete defeat of the athenians at the hands of the espartanos. These events had marked deeply its workmanship, Lisstrata. In such a way, the War of the Peloponeso is an incessant subject of its artistic production.

Its parts, of deeply sarcastic text, have as white constant the power, either it politician especially the image of the demagogues, harmful figures to the mechanisms that conduct the economy, the warlike sphere and the cultural life of Atenas -, religious or intellectual. Generally the personage who if finds to the edge of the society if discloses superior to the representatives of the power. Thus the author can exert its revanche against that it judges to answer for the decline of its city-state. The obsceno language that used in its workmanships was inheritance of the literary tradition previous Greek, was worried in defending the peace and warning the population, over all agricultural, of the urban abuses. In the dialogues organized in its workmanship, ironic brilliants and, it reproduce all exhaustingly the proposals debated at its time, the relative ones to the War, the educational techniques, the philosophical debates, the feminine responsibility in the social life, among others controversial subjects.